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‪both of these have four important attributes:‬

‪• smol, 33 mini-keys only. can fit anywhere: your lap, your desk, your bed, your bag‬
‪• battery powered! enhances portability and removes friction‬
‪• various timbres! not just a piano‬
‪• also a MIDI controller! endless possibilities‬

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‪some big differences though: the PSS-A50 is one of the absolute cheapest keyboards Yamaha currently sells, so it has no stereo, no sustain pedal input, no mod or pitch bend wheel :'(‬

‪the CBX-K1XG is a much more powerful thing in most respects. sadly it has no modern equivalent‬

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‪if you want a less limited modern keyboard, the Yamaha Reface series are also nice fun little keyboards and have stereo and a sustain pedal input, but they differ in the kind of sound selection you get. e.g. the Reface CP offers only electric piano sounds (but they're real good)‬

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‪oh yeah, one thing you get with the PSS-A50 is a recording feature. so you can like record a bass part ahead of time with one instrument, and then play chords and a melody with two hands on top while playing it back. this kind of feature is especially unusual for smol keyboards‬

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@mcc my CBX-K1XG lacks recording or accompaniment for a fairly defensible reason: it's more of a MIDI controller and MIDI module integrated into one unit, and fully featured for both — you can even send sysex messages with it byte-by-byte lmao. its immediate ancestor was the CBX-K1 which is a pure controller, no sound generation capability

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